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《枯竭》全集电影高清在线观看 - 维帮电影网



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      枯竭

      枯竭

      • 伦理 
      • 张利雨 Keun-young Oh 朴智焕 
      • Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience , all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems . As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp , simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise . Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular . Kim Gok has seemingly abandoned the Marxist critiques of his short films , going instead for mindless brutality which culminates in an endless bloody freak-show involving  , among other things , a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face , but it does not elicit sympathy or pity . In fact , images of the victim only make us shy away in shock. (Indeed , the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare , but it assumes we're as sadistic as the victimizer (and the film) is . Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake , shock creates reflection, which asks that we be critical . Here , we only want to escape . I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits . But everything else hurts too much. At least Kim Ki-duk lets us breathe . Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)

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